Prisoner by Annika Martin & Skye Warren
Publication date: October 23rd 2014
Genres: New Adult, Romance
He seethes with raw power the first time I see him—pure menace and rippling muscles in shackles. He’s dangerous. He’s wild. He’s the most beautiful thing I’ve ever seen.
So I hide behind my prim glasses and my book like I always do, because I have secrets too. Then he shows up in the prison writing class I have to teach, and he blows me away with his honesty. He tells me secrets in his stories, and it’s getting harder to hide mine. I shiver when he gets too close, with only the cuffs and the bars and the guards holding him back. At night I can’t stop thinking about him in his cell.
But that’s the thing about an animal in a cage—you never know when he’ll bite. He might use you to escape. He might even pull you into a forest and hold a hand over your mouth so you can’t call for the cops. He might make you come so hard, you can’t think.
And you might crave him more than your next breath.
“Sexy, dark and thrilling. I loved every second of it!” – New York Times bestselling author Katie Reus
AUTHOR GUEST POST
Why I Write Dark Romance
Thanks so much for having me! I’m Skye Warren, New York Times bestselling author of dark romance. I’m excited to share my new release, Prisoner, which is a book I co-wrote with my friend and bestselling author Annika Martin.
I think one of the joys of reading, thinking back even to childhood, was the sense that anything could happen. Wardrobes opened to new lands and golden tickets opened the gate to magical chocolate factories.
When I got a little older (but probably not old enough) I started reading Anne Rice. Ooo boy, let me tell you. The Witching Hour is as dark and as taboo as it gets. There’s ménage and incest and all kinds of wild times. And these were books sitting on a nice, bright shelf in the bookstore that my parents bought for me—totally not knowing what was inside!
So I really didn’t have a sense that there were boundaries in books. That was something I learned later, as an adult.
And it’s something I try to unlearn, in a way.
I try to push my own boundaries with each new book. I try to stretch myself. Because that’s a huge part of the fun of writing. And even though this is my career, I want to have fun. Plus, it produces better books. The books I wrote with my hands flying over the keyboard, the ones I questioned before I published them if they were even acceptable for public viewing, are consistently my bestsellers. My readers want me to push the envelope.
When Annika and I first discussed co-writing we both knew it would be dark and sexy. Well, that’s what we both already wrote, but we came up with a new style working together. There’s something seriously sexy about prison… strong men, powerful men, cunning men contained by something as primitive as metal bars. Something sexy about defying the laws of society and getting caught, but maintaining an air of danger.
Some days, I don’t even see how this stuff is considered that dark—or dangerous. After all, there are demons and werewolves in books and no one bats an eye. Is it that strange to read about a person finding love? Even if that person does happen to be a prison inmate… Real criminals find love (and hot sex) every day. But then I remember that that’s what makes these stories scary. They hit close to home. They make us squirm. And that’s why I love them.
Four reasons why Annika Martin will never stop sending her characters to hotels.
I just had this crazy realization today: almost all of my heroes and heroines in books by both my pen names have really intense scenes in hotels or motels. (Except my urban fantasy, but hey, the hero is trapped in a Mongolian Restaurant a lot of the time.)
Sometimes when I realize I’m doing something a ton (like…er using the term “ragged breath”) I try to stop it. I don’t want to be a repetitive writer. But I don’t want to stop setting scenes in hotels and motels. I Love Them!!
Why are hotel/motel scenes awesome in books?
Hotels and motels rooms are blank slates.
Think about it—when you take a date to your home, all your stuff is there: books, chairs, pets. That picture of Aunt Mildred. The cookies you baked last week. A home is full of baggage, but a hotel is blank, and in a way, the whole world is shut out. The mood can be anything, and the focus is totally on the characters and how they are with each other.
A hotel room: characters confined with each other and a bed.
I love a hotel scene because it’s usually just the hero, heroine kind of trapped together with a bed. It creates instant tension and excitement. Even when one goes off to take a shower, the other hears it (and is usually thinking about them naked in there—did you ever notice that?)
A hotel room bed is almost like another character that you can’t ignore. In a car, there’s never the issue of sex in the air like there is in a hotel room. Because…hero, heroine, bed. (Unless you’re reading my kinky bank robbers books, then it’s three heroes and the heroine drinking champagne closed up in a luxury suite with a hot tub and a bed, but…same idea.)
Hotels: a time out where the characters have to face each other.
My characters are usually in danger or up to something, but when they get to a hotel or motel, it’s downtime, and the attention goes off everything in the world but each other. I think PRISONER has the most intense motel scene; Skye and I really got into it—it’s where Grayson, our dark and troubled escaped convict, takes Abby, his college girl hostage, to this motel after a long, tense day of being on the run. It’s the first time they’ve been alone and not on the move. Grayson has these dark plans for Abby, but there is this powerful psychological back and forth between them, and they each give something up and get closer in a sort of twisted way.
Hotels and motels: the edge of the forbidden.
Of course, hotels and especially motels have a kind of seedy, dirty edge. There’s the fact that people go to them to have sex a lot, but it’s not just about sex, but it is where people go to be anonymous or escape something. Also, the sort of everyday demands of life aren’t there—there are no dishes or bills or anything. Dirty no demands of usual life.
Its where people go to not be known, or to be somebody else.
How about you? Do you like seeing characters wind up in hotels? Or would you rather see them sent home?